These pieces augment my other performance and installation compositions and fill a different niche, often utilizing unaltered field recordings of natural sounds as melodic and rhythmic content.

The artistic challenge was to create another artwork inspired by one of the public art projects in Nashville. I bowed and rang Christopher Fennell’s Tool Fire and used these sounds with upright bass along with recordings of a fortuitous rain storm (the day I was playing bass) to create this programatic composition about the 2010 Nashville Flood. Made possible by a generous grant from Metro Nashville Arts Commission, The Bonnaroo Works Fund and the Community Foundation of Middle Tennessee.

Metro Nashville’s page on Tool Fire and my composition is here at

Playing the sculpture!

Brought to you by: Gallery via Huzzaz


This next recording was my response to a call from the Cornell Lab of Natural Sounds to use their bird recordings in a new composition. All sounds used are unaltered birdsong. I took their Yuba Pass bird recording workshop many years ago and it was an amazing experience. This was before I found my footing in bird conservation and started the Chicago Bird Collision Monitors.

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